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Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Standing female figure wearing elaborate headdress.
Description
The early Remojada culture fashioned solid figures of males, females and children in a naturalistic style. They were hand made with tan clay and detailed with small pieces of clay. Black chapopote or asphalt was used to heighten details or to indicate body paint.
Subject
[Ceramic sculpture--Mexico--Veracruz (Veracruz-Llave), Art--Mexico--Veracruz (Veracruz-Llave), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 301 A.D.
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Flared neck olla : with zoomorphic shoulder design.
Description
A seated warrior wears a conical helmet. He holds a weapon (spear) and a shield. A whistle has been incorporated into the rear support.
Subject
[Pottery--Mexico--Nayarit, Ceramic tableware--Mexico--Nayarit, Art--Mexico--Nayarit, Indigenous peoples--Antiquities]
Date
between 1000 and 1400
Title
Obsidian disc.
Description
Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
Subject
[Stone carving--Mexico--Colima (State), Obsidian, Indigenous peoples--Antiquities]
Date
between 1250 and 1521
Title
Obsidian disc.
Description
Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
Subject
[Stone carving--Mexico--Colima (State), Obsidian, Indigenous peoples--Antiquities]
Date
between 1250 and 1521
Title
Obsidian disc.
Description
Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
Subject
[Stone carving--Mexico--Colima (State), Obsidian, Indigenous peoples--Antiquities]
Date
between 1250 and 1521
Title
Obsidian disc.
Description
Obsidian has been core flaked and pressure flaked to form a very cylinder. It was abraded and polished the perimeter was grooved wearing.
Subject
[Stone carving--Mexico--Colima (State), Obsidian, Indigenous peoples--Antiquities]
Date
between 1250 and 1521
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Tarascan burnished redware pipe.
Description
The Purepecha or Tarascans in Mechoacan were contemperaneous of the Mexica or Azteca of Central Mexico. The Tarascans excelled in many craft areas, especially clay, metal, and stone. This burnished redware pipe represents elegance, but simplicity in design.
Subject
[Purépecha pottery--Mexico--Michoacán de Ocampo, Tobacco pipes--Mexico--Michoacán de Ocampo, Ceramic tableware--Mexico--Michoacán de Ocampo, Purépecha art--Antiquities, Indigenous peoples--Antiquities]
Date
between 1300 and 1532
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Owl Maskette
Description
This hollow, open-back copper maskette was cast using the lost-wax technique. The owl maskette was formed first in bees wax. The bees wax maskette was embedded in a super fine material such as clay. The clay and beeswax maskette was slowly heated melting out the bees wax and hardening the clay matrix. Molten metal was poured into the empty maskette are and cooled.
Subject
[Masks--Mexico, Aztec art--Mexico, Mixtec art--Antiquities, Purépecha art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
University Times
Publication Date
1/13/1986
Subject
[newspapers, basketball, ethics, research, resignation, student publications, swimming]
Title
University Times
Publication Date
1/14/1986
Subject
[newspapers, art exhibitions, churches, in motion pictures, minorities, religion, student publications]
Title
University Times
Publication Date
1/15/1986
Subject
[newspapers, swimming, sports, caricatures and cartoons, recruiting of faculty, in motion pictures, legal claims, memorial services, public opinion, student publications]
Title
University Times
Publication Date
1/16/1986
Subject
[newspapers, in literature, songs and music, parking, baseball, basketball, planning, religion, calendars, in motion pictures, honors]
Title
University Times
Publication Date
1/22/1986
Subject
[newspapers, administration, women's sports, safety, reorganization, basketball, calendars, entrance requirements, health issues, tennis, track and field]
Title
University Times
Publication Date
1/23/1986
Subject
[newspapers, education (field of study), peace movements, calendars, feminism, health issues, journalism, songs and music, plays]
Title
University Times
Publication Date
1/27/1986
Subject
[newspapers, business administration (field of study), basketball, planning, calendars, financial aid, journalism]
Title
University Times
Publication Date
1/28/1986
Subject
[newspapers, holidays, health services, homecoming, calendars, songs and music, swimming]
Title
University Times
Publication Date
1/29/1986
Subject
[newspapers, television stations, tennis, military training programs, basketball, religion, engineering, calendars, explosion, [1986], public opinion, swimming]
Title
University Times
Publication Date
1/30/1986
Subject
[newspapers, in motion pictures, memorial services, songs and music, presidents, public opinion, women's sports, drama (field of study), publishing, baseball, basketball, book reviews, homecoming, calendars, explosion, [1986]]
Title
University Times
Publication Date
1/6/1986
Subject
[newspapers, student life, students' attitudes, students' sexual behavior, women's sports, sports, awards, basketball, biology, grants, financial aid, medals, resignation]
Title
University Times
Publication Date
1/7/1986
Subject
[newspapers, taxation, women's sports, sports, basketball, safety, drama (field of study), crimes, musical activities and groups, resignation, swimming]
Title
University Times
Publication Date
1/8/1986
Subject
[newspapers, recruiting of students, research, student publications, students' attitudes, swimming, women's sports, coaching (sports), caricatures and cartoons, deans, ethics, policy statements, ethics, protest, public opinion]
Title
University Times
Publication Date
1/9/1986
Subject
[newspapers, guidebooks, humor, songs and music, research, student publications, theaters, in motion pictures, musical activities and groups, basketball, book reviews, caricatures and cartoons, humor, film and television (field of study), film groups]
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