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Title
Labret.
Description
The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
Subject
[Ceramic jewelry--Mexico--Colima (State), Labrets, Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 900 and 1519
Title
Labret.
Description
The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
Subject
[Ceramic jewelry--Mexico--Colima (State), Labrets, Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 900 and 1519
Title
Labret.
Description
The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
Subject
[Ceramic jewelry--Mexico--Colima (State), Labrets, Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 900 and 1519
Title
Labret.
Description
The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
Subject
[Ceramic jewelry--Mexico--Colima (State), Labrets, Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 900 and 1519
Title
Labret.
Description
The elite of Mesoamerica were allowed to wear certain kinds of body adornments. Different adornments and materials marked a person's elite status. Labrets were worn below the bottom lip. A piercer was used to make the hole and the hole was stretched over time. This labret is very unusual -- it is not made of black obsidian, which would have taken a long time to make. This labret is made of clay. It is highly polished, which has compacted the clay before firing. The wings on the circular area kept the labret from falling out. The circular hollow area was inlaid with precious materials such as pyrite, shell, obsidian, or turquoise.
Subject
[Ceramic jewelry--Mexico--Colima (State), Labrets, Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 900 and 1519
Title
Standing female figure.
Description
Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
Subject
[Toltec sculpture--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities, Toltec art--Mexico--Colima (State)]
Date
between 900 and 1200
Title
Standing female figure.
Description
Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
Subject
[Toltec sculpture--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities, Toltec art--Mexico--Colima (State)]
Date
between 900 and 1200
Title
Standing female figure.
Description
Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
Subject
[Toltec sculpture--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities, Toltec art--Mexico--Colima (State)]
Date
between 900 and 1200
Title
Standing female figure.
Description
Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
Subject
[Toltec sculpture--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities, Toltec art--Mexico--Colima (State)]
Date
between 900 and 1200
Title
Standing female figure.
Description
Two side head projections help to place this Toltec figure in Post Classic Colima. Fertility is indicated by her sex. The clay surface probably was polychromed and she wore clothing or paper garments.
Subject
[Toltec sculpture--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities, Toltec art--Mexico--Colima (State)]
Date
between 900 and 1200
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Seated figure looking up with crossed legs.
Description
The seated male figure sits with his legs crossed and his arms resting. He looks up to reveal a simplified face; eyebrows, eyes, nose, mouth, ears and ear ornaments. A minimal figure that gives a sense of detail.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima anthropomorphic, zoomorphic figure.
Description
The eyes, ears, mouth, and spine were inlaid in this figurative deep blue-green stone. The stone's image is obviously male, but less apparent are the secondary front and rear faces. Lay the stone stomach down, it transforms into a resting frog, the symbol of fertility. The stone transforms from a man to a frog and maybe a dog.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Mahogany obsidian pectoral.
Description
This crescent-shaped pectoral has two pointed ends, which can be interpreted as a two-headed bird, a caiman, or an iguana. The pectoral represents duality and transformation.
Subject
[Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Macehead : transforming images : 4.
Description
A macehead can symbolize power and authority, but this macehead represents transformation. All the animals depicted on this macehead have the ability to move symbolically or physically from the underworld to the living world to the heavens of gods and ancestors. Individually, they represent different concepts: abundance, fertility, rebirth, renewal, and transformation.
Subject
[Stone carving--Mexico--Colima (State), Sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Anthropomorphic musical rasp.
Description
Ceramic Nayarit musicians demonstrate how a rasp was held, played, and looked. A grooved rasp was played with a bore, a shell or wooden object that was dragged over the grooves to produce an unusual sound.
Subject
[Files and rasps, Percussion instruments--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic musical rasp.
Description
Ceramic Nayarit musicians demonstrate how a rasp was held, played, and looked. A grooved rasp was played with a bore, a shell or wooden object that was dragged over the grooves to produce an unusual sound.
Subject
[Files and rasps, Percussion instruments--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic musical rasp.
Description
Ceramic Nayarit musicians demonstrate how a rasp was held, played, and looked. A grooved rasp was played with a bore, a shell or wooden object that was dragged over the grooves to produce an unusual sound.
Subject
[Files and rasps, Percussion instruments--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic musical rasp.
Description
Ceramic Nayarit musicians demonstrate how a rasp was held, played, and looked. A grooved rasp was played with a bore, a shell or wooden object that was dragged over the grooves to produce an unusual sound.
Subject
[Files and rasps, Percussion instruments--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing Figure Wearing a Skirt or a Kilt
Description
Many Mesoamerican cultures practiced body modification, which marked a person's status and cultural affiliation. When babies are born, the center of their skulls are made of very flexible cartilage. Mesoamericans bound the heads of newborn babies in different ways to create different head shapes.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
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