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WHEN
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Title
Azteca or Mexica votive food offering : waisted ear plug.
Description
The artifact's shape indicates a flared, waisted olla that contains patty-shaped objects, possibly masa or copal. If you hold the object vertically the object becomes a votive offering, but horizontally a waisted ear plug,
Subject
[Decoration and ornament--Mexico--Mexico, Valley of, Ceramic jewelry--Mexico--Mexico, Valley of, Aztec art--Mexico, Indigenous peoples--Antiquities]
Date
between 1200 and 1521
Title
Azteca or Mexica votive food offering : waisted ear plug.
Description
The artifact's shape indicates a flared, waisted olla that contains patty-shaped objects, possibly masa or copal. If you hold the object vertically the object becomes a votive offering, but horizontally a waisted ear plug,
Subject
[Decoration and ornament--Mexico--Mexico, Valley of, Ceramic jewelry--Mexico--Mexico, Valley of, Aztec art--Mexico, Indigenous peoples--Antiquities]
Date
between 1200 and 1521
Title
Azteca or Mexica votive food offering : waisted ear plug.
Description
The artifact's shape indicates a flared, waisted olla that contains patty-shaped objects, possibly masa or copal. If you hold the object vertically the object becomes a votive offering, but horizontally a waisted ear plug,
Subject
[Decoration and ornament--Mexico--Mexico, Valley of, Ceramic jewelry--Mexico--Mexico, Valley of, Aztec art--Mexico, Indigenous peoples--Antiquities]
Date
between 1200 and 1521
Title
Azteca or Mexica votive food offering : waisted ear plug.
Description
The artifact's shape indicates a flared, waisted olla that contains patty-shaped objects, possibly masa or copal. If you hold the object vertically the object becomes a votive offering, but horizontally a waisted ear plug,
Subject
[Decoration and ornament--Mexico--Mexico, Valley of, Ceramic jewelry--Mexico--Mexico, Valley of, Aztec art--Mexico, Indigenous peoples--Antiquities]
Date
between 1200 and 1521
Title
Azteca or Mexica votive food offering : waisted ear plug.
Description
The artifact's shape indicates a flared, waisted olla that contains patty-shaped objects, possibly masa or copal. If you hold the object vertically the object becomes a votive offering, but horizontally a waisted ear plug,
Subject
[Decoration and ornament--Mexico--Mexico, Valley of, Ceramic jewelry--Mexico--Mexico, Valley of, Aztec art--Mexico, Indigenous peoples--Antiquities]
Date
between 1200 and 1521
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
15 ceramic ear spools.
Description
15 varied ear spools: seven solid; five pierced; two pair- two rings. 6 blackware, 3 tanware, 1 polychrome, 4 cone. 2 pairs (4 in total), 1 polychrome, 1 Teotihuacan, 3 pierced, 4 cone, 2 small napkin.
Subject
[Ceramic jewelry--Mexico, Decoration and ornament--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Teotihuacan incensario : stage type : hourglass form.
Description
Each incensario or censer is an individual work of art, no two are alike. They can be similar in form, like this modified stage-type censer. Some archaeologists believe this stage incensario represents the Teotihuacan temple and the individual inside the great Goddess. This female deity wears a butterfly headdress and a butterfly buccal plate (mask) in front of her nose and mouth, and holds two scepters made of branches. She is surrounded by eight yellow and red complex flower images and five yellow-crowned quetzal birds. All of these images indicate a goddess of fertility.
Subject
[Ceramic censers--Guatemala, Ceramic sculpture--Guatemala, Art--Guatemala, Indigenous peoples--Antiquities]
Date
between 300 and 900
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing Drummer with Double Horned Headdress
Description
This drummer is a musical whistle. Music plays an important role in all societies. Drummers are used to set the rhythm of the music. This drummer wears a double-horned headdress and a pair of armbands.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Zoomorphic Whistle : Bird : Turkey
Description
A Colima ceramicist hand formed and appliqued this zoomorphic whistle. The avian form has a fleshy comb or crest and it displays a splayed tail, but not sufficient details to identify the species.
Subject
[Ceramic sculpture--Mexico--Colima (State), Whistles--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Zoomorphic Whistle : Bird : Turkey
Description
A Colima ceramicist hand formed and appliqued this zoomorphic whistle. The avian form has a fleshy comb or crest and it displays a splayed tail, but not sufficient details to identify the species.
Subject
[Ceramic sculpture--Mexico--Colima (State), Whistles--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Zoomorphic Whistle : Bird : Turkey
Description
A Colima ceramicist hand formed and appliqued this zoomorphic whistle. The avian form has a fleshy comb or crest and it displays a splayed tail, but not sufficient details to identify the species.
Subject
[Ceramic sculpture--Mexico--Colima (State), Whistles--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Zoomorphic Whistle : Bird : Turkey
Description
A Colima ceramicist hand formed and appliqued this zoomorphic whistle. The avian form has a fleshy comb or crest and it displays a splayed tail, but not sufficient details to identify the species.
Subject
[Ceramic sculpture--Mexico--Colima (State), Whistles--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
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