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Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Standing shamanic figure holding an olla.
Description
An abstracted male figure carries an olla on his shoulder. The shaman wears an elaborate horned headdress, a phallic necklace, armband, black pants and black leg bands. His ears are pierced.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 300 B.C. and 300 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Colima elite seated in a Palanquin.
Description
Four standing male figures carry a canopied litter with a seated elite male. The standing male figures (four) appear to be nude and sport an elaborate hairdo or headdress.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 100 B.C. and 250 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Macehead : transforming images : 2.
Description
A macehead is a symbol of power, authority, and an object of destruction. The dog heads could represent food, companionship, warmth, or a guide or visitor to the underworld. Turn the macehead over and there are two horned frogs, a good source of a hallucinogenic drug. The poison allowed a shaman access to other worlds. The frog is associated with renewal, change, or transformation and fertility.
Subject
[Sculpture--Mexico--Colima (State), Stone carving--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 200 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shamanic drummers.
Description
These gentlemen appear to be two drummers creating music, but their feet tell another story. Since their feet are on the drum, they are riding the drum during shamanic flight.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Anthropomorphic slinger with avian headdress : whistle.
Description
This warrior stands ready to encounter his foe with his sling armed and ready to fire. The face is human, but has an animal quality. His elaborate headdress appears to be a bird's head.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Standing flautist (flute player) : whistle.
Description
Flutes were used to make music. This flautist wears a cone-shaped cap with a chin strap. The cap serves as a mouthpiece for this whistle.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Musician : seated male holding rattles : whistle.
Description
A seated male holds two objects, one in each hand. The objects probably are rattles similar to maracas. An alternate explanation suggests the objects represent peyote, a hallucinogen.
Subject
[Ceramic sculpture--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Set of five shell rings : smaller.
Description
Shells represent a source of wealth and were traded locally as well as long distance. Artists worked the shells into various forms of jewelry. This series of shell rings were manufactured from clam shells. The artist chose similar-sized shells and paid attention to the inner and outer diameters of the base shell ring. This could be achieved by wearing away or abrading the shell ring.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shell rings : larger.
Description
Mollusks such as the clam were a valuable source of food. This large arm band was formed from a large clam shell. The basic ring shape was created first and then refined or smoothed by abrasion.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
Title
Shell rings : larger.
Description
Mollusks such as the clam were a valuable source of food. This large arm band was formed from a large clam shell. The basic ring shape was created first and then refined or smoothed by abrasion.
Subject
[Rings--Mexico--Colima (State), Art--Mexico--Colima (State), Indigenous peoples--Antiquities]
Date
between 250 B.C. and 250 A.D.
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