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Browse All : Maya art--Central America
1-27 of 27
Title
Maya spondylus shell ornaments : pendants.
Description
A Maya pendant and a scorpian pendant. Both pendants are circular.
Subject
[Pendants (Jewelry)--Central America, Decoration and ornament--Central America, Jewelry--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 250 and 800
Title
Maya spondylus shell ornaments : pendants.
Description
A Maya pendant and a scorpian pendant. Both pendants are circular.
Subject
[Pendants (Jewelry)--Central America, Decoration and ornament--Central America, Jewelry--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 250 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Orangeware effigy vessel : deity Simian.
Description
A small appliqued cylinder with an anthropomorphic face and a fanged mouth, whiskers incised on the brow, and around the fanged mouth suggests a deity.
Subject
[Effigy pottery--Central America, Ceramic tableware--Central America, Drinking vessels--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Maya avian head poison bottle.
Description
A rare earthenware bottle depicting a stylized avian deity's head having a large slightly curved beak, large lidded eyes, curled fangs, and human type ears. The drilled perforations in his ears and at the top of the eyes probably once held decorative elements.
Subject
[Pottery--Central America, Ceramic tableware--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities]
Date
between 500 and 800
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Pair of Maya jade ear flares.
Description
These blue-green jade ear flared have been string cut, chipped, abraded, drilled, and polished to form a flower. The petals represent the four cardinal directions, while the ball an post stands for the verticality of up and down. The design represents the Maya "Quincunx" or the five directions of their world or universe.
Subject
[Jewelry--Central America, Stone carving--Central America, Decoration and ornament--Central America, Maya art--Central America, Mayas--Antiquities, Indigenous peoples--Antiquities, Mayas--Jewelry]
Date
between 500 and 900
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
Title
Maya copador swimmer bowl.
Description
The number three appears to have significance. It appears as three legs, three solid bands, three stepped spiral rings and two of those rings are divided into three quadrants. There are three realms in Mesoamerica: Heaven, the Sky, Earth, the living world, and the Underworld, the land of the dead.
Subject
[Ceramic bowls--Central America, Pottery--Central America, Indigenous peoples--Antiquities, Maya art--Central America, Mayas--Antiquities]
Date
between 900 and 1400
1-27 of 27
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