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1-12 of 12
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Mold made female prisoner figure.
Description
The figure's compactness and the flatness of the clay indicates press mold fabrication. The clay's details hint to the figure's meaning. The band across the abdomen suggests captive. Her headdress contains three elements: an Ollin symbol, a [blank], and three feathers, precious movement (sic).
Subject
[Toltec sculpture--Mexico, Sculpture--Mexico, Toltec art--Mexico, Indigenous peoples--Antiquities]
Date
between 900 and 1200
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
Title
Face mold.
Description
An image was pressed into soft clay to create a negative space. The mold would dry and be fired. Now, soft clay was pressed into the fired mold to create a positive image.
Subject
[Sculpture--Mexico, Art--Mexico, Indigenous peoples--Antiquities]
Date
Unknown
1-12 of 12
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